| Interview
by Lynne Jamneck
http://www.lynne-jamneck.blogspot.com/
Born and raised in Southern California,
Mickey Minner has lived in New Mexico, Washington and, for the past
several years, in western Montana. Since childhood, she has enjoyed a
love of the old west and of writing and living in the Rocky Mountains
gives Mickey plenty of opportunity to enjoy walking in the woods,
fishing, camping and spending time just enjoying the beautiful scenery.
Her friends tell her she has a wicked sense of humor, and loves to have
her on their side for a game of Trivial Pursuit because of her endless
knowledge of useless information.
Visit Mickey's site here
http://www.mickeyminner.com/
What do you feel is the main
drive behind your creativity?
First, let me say how honored I am to
be giving this interview. I must admit that your invitation caught me
completely by surprise and I performed a happy little jig when I
received it. Please don't ask me to do a repeat performance for you.
<BG>
As for the drive behind my creativity,
I'm not sure. My mom has always said I was very talented. <VBG> Besides
writing, I've done a little drawing and painting (I wish I was better at
that), designed needlepoint patterns, made my own greeting cards, and
like to play around with photography (I post a lot of my pics on my
website). I guess you could say that I like to create things.
When did you feel like a writer
for the first time?
Probably in high school when I sold a
book of my poems to my classmates. I'm not sure how good the poems were
but I made a buck for every book I sold. I do know it didn't make me
much money. <G>
The first book in your
Sweetwater Saga series, Sweetwater, will be released this November. Is
the anticipation building?
I'm not sure anticipation is the word I
would use. It has been a long journey and one I wasn't expecting or
prepared for. But one I'm very much looking forward to being over and
holding Sweetwater in my hands.
Tell us a bit about the
inspiration behind the series.
I've always loved westerns, Saturday
morning shows like Roy Rogers and Gene Autry and the old black and white
movies. When I was a kid, my grandfather would slip me the dime novel
westerns he read- my grandmother didn't think they were fit for a girl
to read. I wanted to write a story that reflected those influences. Just
a good, old fashion western- but one where the hero would get the girl
not kiss the horse at the end.
The second and third books,
Bozeman and Rolling Thunder, will be released May 2007 and November 2007
respectively. Did you have all three books finished before approaching a
publisher?
Yes. I actually wrote four stories then
combined and rewrote them into one book. One very long book- it was
approximately 1,000 pages. But I quickly discovered it was almost
impossible to get a book of that length published so I split it into
three books.
You live in an environment that
is certainly conducive to the genre in which you write. What sort of
research have you done up until now to prepare you for writing the
Sweetwater books?
Well, like I said before, I grew up
loving everything about the old west. I've seen all the movies and read
more books on the subject then I could ever remember. I've traveled to
historical sites from New Mexico to Washington State just to see the
places I've read about. I think I come about my love of that period
naturally. My great-grandfather Stetler was a conductor on the railroad
and traveled all over the west. One grandfather was literally born in a
covered wagon and my other grandfather loved everything about the old
west. I'm related to Johnny Ringo, a relationship my great-grandfather
Ringo found little to be proud of <G>. What can I say, it's in my blood.
What were some of the most
challenging aspects when it came to the writing of the books?
What I had to learn was to listen to
the characters and let them tell me their story. All I had to do was
type. I quickly found that extensive outlining didn't work for me, it
just got in the way of the story because I was constantly stopping and
comparing what I had written against the outline. Once I threw the
outline away and let Jesse and Jennifer take over, their story poured
out of me.
Was writing something you
always wanted to do?
Yes. As a child, I used to think what
it would be like to write the Great American Novel. I still do. <G>
The road to finding the right publisher
is often a tricky one for aspiring writers who are not familiar with the
nuts and bolts of the industry. What would you say are the most
important things to look at regarding this issue?
Ask, ask, ask. You can't ask too many
questions. There's a lot of information about publishers available on
the web. Research the ones you are thinking of using to submit your
work. Make sure you understand and can live with all of their
requirements. Have someone you can trust go through the research with
you. And find and hire an agent or lawyer with a good knowledge of the
publishing business before you sign anything.
Who are some of the authors you
consider to be your earliest influences?
Mark Twain, Charles Dickens, Henry
David Thoreau, Edgar Allen Poe, William Shakespeare, Jack London,
Dorothy Parker and the long forgotten names of all the dime novel
westerns I read. <G>
What are you currently reading,
watching and listening to?
Unfortunately, I don't have much time
for reading other than the newsletters of writer organizations I'm a
member of and keeping up with some of the writer lists online. I don't
watch a lot of TV. And I only listen to music when I'm at work. I listen
mostly to country, Mary Chapin Carpenter, Anne Murray, Loretta Lynn,
Tanya Tucker. Oh, and, I'm surprised I haven't worn it out yet, Cher's
Farewell Tour CD.
What are you currently working
on?
I'm juggling a lot of projects right
now. I have first drafts of three books written: Fireweed (the 4th of
the Sweetwater Saga), Fast Break (a basketball story) and Organi (a
sci-fi story). I'm also almost finished with Ghost Town-ing, a series of
short stories. I hadn't expected them to be anything more but I've
received a number of requests from readers to expand them into a book.
Shadow Keeper is another short story that I'm working on. Beach
Encounter is a short story I wrote a couple of years ago that I'm
working on expanding into a book. And I'm thinking of writing a sequel
to Fast Break because of the tremendous response I've received from the
readers who really enjoy the characters and would like to read more
about them. And, of course, there are more Sweetwater Saga stories to
come.
How do you feel about the
current state of lesbian publishing; anything you'd like to see more or
less of?
Ah, this is a tough question and one
that is difficult to answer because I am a writer who would like to have
my books published and, therefore, must walk a tight rope to respond --
and that is the crux of the issue.
I have found that the current state of
lesbian publishing is heavily colored by the past, a past that some are
not willing, or able, to let go. It is difficult to come into a business
knowing nothing of the history of the players. It is even more difficult
when some of those players want to drag you into their long-standing
conflicts. A good example of this is when I had someone I did not know
contact me and ask for a private conversation to warn me about some of
the members of my fan discussion group. I was extremely displeased with
having this individual attempt to force their old baggage on me and I
posted as much on my group. I had many people write agreeing with what I
had said. Unfortunately, because they are also writers and also want to
have their books published, they were afraid to voice their opinions
openly.
If there was anything I would like to
see changed in lesbian publishing it would be to leave behind the
entrenched environment of bullying, intimidation and fear. Writers,
publishers, distributors, editors, cover artists, readers, and book
buyers should be working together to make lesbian publishing as good, or
better, than mainstream. Unfortunately, that often quoted goal is next
to impossible under the current environment.
And that is a shame for all of us
because what I see as a major plus in the business is the wonderful
relationship between writers and readers. There is an extremely generous
talent pool in lesbian publishing and our readers are some of the most
loyal and supporting of any. What could be accomplished if we all worked
together is unimaginable. I would definitely like to see us move more in
that direction and away from the other.
What's the biggest challenge
for you personally about being a writer?
Being true to myself and my readers.
What do you consider to be your
best and worst attributes?
I enjoy a good laugh and, as my mother
says, I don't suffer fools well.
Tell us something about Mickey
Minner no one else knows...
I'm extremely shy and just the thought
of doing a book reading petrifies me.
What advice would you give to
aspiring writers trying to get their break in publishing?
Do not sign any contract without either
an agent or an attorney by your side. This is a business, pure and
simple, and having an agent or attorney to advise you is good business
practice. Writers need someone who is 100% looking out for their
interests on their team.
A happy writer is...
Writing. That was easy <VBG>
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